Ion Nestor (25 August 1905, Focșani – 29 November 1974, Bucharest) was a Romanian historian and archaeologist. In 1955, he became a corresponding member of the Romanian Academy.
Nestor was, together with Sorin Pavel and Petre Pandrea, author of the Manifestul "Crinului Alb" ( White Lily Manifesto), published in the no. 8-9 editions (August–September) of 1928 of the magazine "Gândirea" ( The Thinking).Zigu Ornea, Tradiționalism și modernitate în deceniul al treilea, 1980, pp. 135, 174, 288, 290, 456.Adrian Popescu, Lancea frântă: lirica lui Radu Gyr, Editura Didactică și Pedagogică, București, 1995, p. 22. He became, according to critic Zigu Ornea, a follower of the racist ideology of the German philosopher Oswald Spengler.Z. Ornea, Tradiționalism și modernitate în deceniul al treilea, 1980, p. 246.
The passionate researcher considered that of his duty to deepen the problems by corroborating the information already acquired, hoarded in museum collections. Thus, on February 13, 1934, Nestor, assistant at the National Museum of Antiquities, informed the leadership of the Ministry of Instruction, Cults and Arts that he published in Berlin, under the auspices of the German Archaeological Institute, a synthesis of Romanian prehistory. Considering that it is necessary to complete the documentation based on visits to museums and taking photographs, he requested material support from the ministry. The Minister's resolution of February 13, 1934 requested the academician Ioan Andrieșescu, director of the National Museum of Antiquities in Bucharest, to report on this issue. Prompt answer was received on February 18, 1934, from Andrieșescu, who gave a warm recommendation to Nestor.
The PhD in History, archaeologist, with an intense activity within the National Museum of Antiquities and the Institute of Archeology in Bucharest, he coordinated during the years of activity the researches on the archeological sites from Glina, Sărata Monteoru, Zimnicea, Glăvăneștii Vechi, Corlăteni, Suceava, Dridu, Brateiu, and Păcuiul lui Soare.
From 1945 he carried out at the same time a prestigious didactic career as a professor at the University of Bucharest, contributing to the formation of disciples (such as noted archaeologist Alexandru Vulpe) who, through what they achieved, proved that they properly received what was invested by their mentor, Ion Nestor. Through the studies undertaken, Ion Nestor contributed to the substantiation of the formation process of the Romanian people, constituting at the same time a valuable methodological guide for the younger collaborators through the way of analysis, synthesis, and support of the stated theses.
Nestor had major contributions in the field of periodization of Neolithic and Chalcolithic cultures of the transition period that led to the Three-age system. His contributions were integrated in the treatise Istoria României, vol. I, 1960 and in Istoria poporului român, 1970.
A pedantic publicist, those entrusted to the press constitute a permanent methodological guide. The appreciation from foreign researchers was also materialized by entrusting the mission of being editor for Romania of the contributions integrated in the Archaeological Inventory and Prähistorirische Bronzefunde, as well as by his election as a member of the German Archaeological Institute, the Yugoslav Archaeological Society, the Permanent Council of the International Union for Prehistoric and Protohistoric Sciences, and the International Union of Slavic Archeology. On July 2, 1955, he was elected a corresponding member of the Romanian Academy.
As a trainer for future researchers, Ion Nestor has paid a lot of attention to the way of stating the findings by each of participant on the site, intervening, when he considered it necessary, with connections that allowed a clarification of the problem in question. Pedantic to detail, he asked the collaborators to pay attention to every detail encountered during the excavation, the immediate recording of what was observed, then allowing an analysis whose purpose was to understand the evolution of the way of life of the creators of material and spiritual culture.
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